GROWING UP in a world defined by rapid globalization, social media, and constant stimulation. This fast‑paced environment made me curious about how we assign meaning to WHAT SURROUNDS US. 

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In my work, I rarely depict humans in their usual form. Instead, I merge them with everyday items—food, furniture, personal objects—to explore how we shape our identities and find meaning in the things we interact with. I invite viewers to uncover the hidden stories behind these objects, finding humor, care, and poetry in what we often ignore.

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Since I can remember, I’ve instinctively given objects emotions. I used to rotate my stuffed animals so none would feel left out, and at restaurants, I’d imagine the cutlery playing out elaborate telenovelas. In my family, naming furniture was normal—our entryway cabinet was Uncle Victor. These tendencies weren’t just quirks; they became part of how I relate to the world.

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